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Fela Kuti The life of Fela is full of contradictions, and that's part of what makes him so fascinating. People who love him will accept his flaws. fela law firm run for up to 20 minutes, and are performed in dense, almost incomprehensible Pidgin English. His music is influenced primarily by Christian hymns and classical music. He also includes jazz, Yoruba, and highlife with guitars and horns. He was a musician Fela Kuti embodied the idea that music can be an instrument of change. His music was used to call for social, political and economic change. His influence is still evident even today. His style of music, Afrobeat, is a combination of African and Western influences. Its origins lie in West-African hip-life music and funk, but it has since evolved into its own genre. His political activism was fierce and he did it without fear. He used his music to protest against corruption in the government and human rights violations. Songs like “Zombie” and “Coffin for the Head of State” were bold critiques of the Nigerian regime. He also made use of Kalakuta as a venue to meet like-minded people and to encourage political activism. The production includes a massive portrait of his mother, who died in the past Funmilayo ransome-Kuti. She was a prominent feminist and activist. The actress who portrays her is Shantel Cribbs who has successfully communicated her importance in the life of Fela. The play also focuses on her political activism. Despite her declining health she refused to be checked for AIDS and instead chose traditional treatments. He was a musician Fela Ransome-Kuti was a complex musician who used his music to facilitate political change. He is known as the creator of afrobeat, an invigorating hybrid of funk, dirty and traditional African rhythms. He was also a relentless critic of Nigeria's political and religious leaders. Growing up with an anti-colonial suffragist mother It's no surprise that Fela was interested in political and social commentary. His parents wanted him to become medical doctor, but he had different plans. A trip to America changed his outlook forever. The music he composed was greatly influenced by his exposure to Black Power movements and the leaders such as Eldridge Clever and Malcolm X. He embraced a philosophy of Pan-Africanism, which would guide and inform his later work. He was a music producer While in the United States Fela was introduced to Black Power activists such as Stokely Carmichael and Malcolm X. The experience inspired him to create an organization called the Movement of the People, and to write songs that expressed his thoughts on political activism and black consciousness. His philosophies were expressed in public through the way of yabis, which is a form of public speaking is referred to as 'freedom of expression'. He also began to establish a strict ethical code for his group, which included refusing to receive medicine from Western-trained doctors. After his return to Nigeria Fela started building his own club The Shrine in Ikeja. Raids from police and military officials were all the time. His hangers-on from Mosholashi-Idi-Oro repopulated the area around the club with hard drugs, including the 'yamuna' and 'bana' (heroin). However, Fela kept his integrity unshaken. His music demonstrates the determination with which he challenged authority and demanded that the popular will be reflected in official goals. It is an influence that will last for generations. He was a poet In his music, Fela used light-hearted sarcasm to highlight economic and political issues in Nigeria. He also made fun of his audience, the government, and even himself. During these shows, he would refer to himself as “the big dick in the pond with a little.” These jokes were not viewed lightly by the authorities, and he suffered repeated arrests, imprisonments and beatings at the hands of the authorities. He eventually renamed himself Anikulapo which translates to “he has death in his pouch.” In 1977, Fela released a song called “Zombie” in which he compared soldiers with brainless zombies that followed orders without question. This irritated the military and they raided the Kalakuta Republic, burning it down and beating its occupants. During the raid, her mother was thrown out of her second-floor window. Fela developed Afrobeat in the years that following the country's independence. Afrobeat is a music genre that blends jazz with indigenous African rhythm. His songs criticized European cultural imperialism and supported traditional African religions and culture. He also criticized fellow Africans for disrespecting the traditions of their homeland. He also stressed the importance of freedom and human rights. He was a hip-hop artist A trumpeter, saxophonist, composer, and pioneer of the Afrobeat genre, Fela Anikulapo-Kuti was born in 1938 in Abeokuta, Nigeria. He was heavily influenced by jazz, rock, and roll as well as traditional African music as well as chants and music. After a visit to the United States, Fela met Sandra Smith. She was an activist in the Black Power Movement. Her ideas influenced his work. Fela's music became a political instrument upon his return to Nigeria. He was critical of the government of his country and also argued against Western sensibilities affecting African culture. He also wrote about social injustices and human rights abuses. He was frequently detained for his criticism of military. Fela was also a proponent of marijuana in Africa and is referred to as “igbo”. He often held public discussions at Afrika Shrine, which he referred to as “yabis” where he would lampoon government officials and spread his views on freedom of expression and the beauty of women's bodies. Fela also had a group of young women, who performed in his shows and acted as vocal backups for him. He was a dancer Fela was a master of musical fusion. He fused elements of jazz, beat music, and highlife into his own distinctive style. He was a leading African musician and a vocal critic of colonial rule. Fela refused to be detained and tortured by the Nigerian military junta as well having witnessed the murder of his mother. He died from complications due to AIDS in 1997. Fela was an activist for the political cause who was critical of the oppressive Nigerian government and supported the principles of Pan Africanism. His albums, such as 1973's Gentleman focused on the oppression of both the government and colonial forces. He also promoted black power and criticized Christianity and Islam as non-African imports, which have been used to divide the people of Africa. Shuffering and Smiling is the title track from an album from 1978. It describes crowded public buses filled with poor workers, “shuffering and smiling”. Fela was a fierce anti-religious hypocrisy. Fela's dancers were also an excellent match for his music. They were sensual, vibrant, and elegant. Their contributions were as important as Fela’s words. He was a political militant Fela Kuti was an activist who utilized music to challenge unjust authority. He steered his knowledge of American funk and jazz toward African modes and rhythms, creating a sound that is braced for a fight. Most of his songs begin with slow-burning instrumentals. He layers melodies, riffs, long-lined melodies and other elements until they explode in a blaze of energy. In contrast to many artists who were hesitant to speak out about their politics, Fela was fearless and unbending. He stood up for what he believed in even when it was risky. His mother, Funmilayo Ransome Kuti, was an avowed feminist who was the leader of the Nigerian Women's movement. His father was a protestant minister and the president of the teachers union. He also established Kalakuta Republic – a recording studio and commune that was a symbol of the resistance. The government seized the commune, destroying the property and injured Fela badly. He refused to back down, though and continued to speak out against the government. He died from complications of AIDS in 1997. He was succeeded by his son, Femi, who continues to continue his musical and political legacy. He was a father Music is often seen as a political act, with musicians using lyrics to demand change. However, some of the most effective music-related protests don't rely on words in any way. Fela Kuti is among the artists mentioned above, and his music still is heard today. He was the first to pioneer Afrobeat music, which combines traditional African rhythms and harmony with hip-hop and jazz and was inspired by artists like James Brown. Funmilayo Ransome Kuti was Fela's activist mother. She was a unionist and fought colonialism. She helped form the Abeokuta Women's Union and fought against gender-discriminatory taxation laws. She also studied marxism and believed in a Nigeria that was serving its the entire population. Fela's son Seun continues his father's legacy, through the band Egypt 80 that's touring the world this year. The Egypt 80's music combines the sounds of Fela with a sharp critique of the power structures that exist today. Black Times will be released at the end March. Thousands of fans gathered to pay their respects at the funeral at Tafawa Balewa square. The crowd was so big that police were forced to shut off the entrance to the venue.